Recently, NATPE announced a new initiative to aid independent companies that will be exhibiting during the L.A. Screenings.
Even though the initiative was well-received, it raised a few questions that (…)
More than 200 U.S. television critics came together in Pasadena, California for The Television Critics Press Tour, the Television Critics Association’s (TCA) semi-annual January conference, which featured two weeks of (…)
NATPE has announced a partnership with L.A. Screenings Independents 2018 to leverage its reach and add value to the growing annual event.
Initially promoted by VideoAge’s Dom Serafini (pictured above at the (…)
Jay Switzer’s last and biggest project for VideoAge appeared in the October Issue of the publication, and was titled: “The Complex World of Canada’s TV Upfront.” Few executives knew the (…)
With NATPE Miami a thing of the (very recent) past, the next appointment on the international TV industry’s calendar is MIP-TV. For the occasion, VideoAge is preparing a special report (…)
In last Sunday’s “Oggi 7” weekly insert of the United States’ AmericaOggi, the largest Italian-language daily published outside Italy, a feature story recalled the origins of VideoAge, and author Generoso (…)
Marvel and DC Comics have something in common. And we’re not just referring to men (and the occasional woman) running around in tights and capes: It’s superhero Alice Donenfeld, a (…)
To choose the “best” of 120 stories from VideoAge’s nine monthly editions of 2017 is not an easy task, but it is an annual one that cannot be avoided. Enjoy (…)
The January (NATPE Miami) Issue of VideoAge isn’t quite finished yet, but our online team is eager to show off its content.
Lovers of travel can look forward to a complete (…)
In 1999 — some 18 years ago! — when Milan, Italy-based Lupetti Editore published Television via Internet: A New Frontier by VideoAge‘s own Dom Serafini, Netflix was just two years (…)
