WaterCooler

Underground stations in London warn riders to: “Mind the gap.” In the case of MIP London and London-based content distribution companies, the “gap” that they’re looking at is between what (…)

Judging from the good number of printed trade publications published for the occasion and being distributed at NATPE Budapest, the CEE market could probably be considered a success (especially when (…)

By Dom Serafini

On weekday evenings I switch between channels to watch entertainment news programs (including the syndicated Extra, Entertainment Tonight, and NBC’s Access Hollywood) — not to be informed about (…)

Please continue to use cellular phones to watch videos, link to TikTok, scroll Instagram, listen to music, connect on Zoom, and check Facebook and LinkedIn. But for serious communications, use (…)

We’re all familiar with “fake news,” mostly courtesy of Vladimir Putin’s Russia, but now be prepared for the “fake look,” courtesy of President Joe Biden and former president Donald Trump.

In (…)

Despite many recent changes, the streaming business model is still not working. Therefore, it’s time to move streaming closer to the linear model.

In VideoAge‘s June/July 2024 Issue, we will explain (…)

After the still unresolved “viewer fatigue” issue streamers now have to confront “bundling” issues. In the “cable era,” consumers liked a-la-carte offerings, and content providers liked bundling. In the “streaming (…)

By Dom Serafini

Recently, while trimming my hair, Boris, my barber in New York City, solemnly announced that he had stopped watching, listening, or reading the news. “It’s too stressful,” he (…)

By Yuri Serafini*

Of the various kinds of clips that are ubiquitous on social media apps like TikTok and Instagram, many have to do with sports.

In the world of sports, the (…)

To be successful at anything is to understand and leverage people’s lack of taste. This maxim is valid for every sector — from entertainment to food to clothing to showbiz.

On (…)