And Now To Hollywood: L.A. 2028
The surprising stunt performed by Tom Cruise in the otherwise boring closing ceremony of the Paris Olympics, reminiscent of his Mission: Impossible movies, was meant to highlight the passing of (…)
The surprising stunt performed by Tom Cruise in the otherwise boring closing ceremony of the Paris Olympics, reminiscent of his Mission: Impossible movies, was meant to highlight the passing of (…)
At first, the French — Parisians in particular — were unhappy about their government spending 9 billion euro (U.S.$9.82 billion) to stage the 2024 Paris Olympics. They also objected to (…)
The call to Cape Town, South Africa is getting louder. An early July official list of MIP Africa participants indicates some 70 buyers and 60 distribution companies. Including all other (…)
By Dom Serafini
ESPN stopped carrying soccer (football), and most would agree that this should be viewed as a loss. Indeed, it is incomprehensible how the world’s most popular sport is (…)
Today, in order to see some creativity in TV spots, we have to wait for the Super Bowl, the annual final extravaganza for American football. And, indeed, many viewers tune (…)
By Dom Serafini
We all watched the spectacular opening ceremony of the XXXIII Summer Olympiad in Paris on Friday, July 26, 2024, which was rendered even more cinematic by the pouring (…)
The most recent L.A. Screenings saw a reduced number of domestic and international buyers due to the increased costs of traveling and hotel accommodations. Even though the L.A. Screenings is (…)
By Ru Roberts*
User-generated videos — videos recorded by the public, commonly via smartphones, but inclusive of anything with a camera — have become increasingly common in the digital age for (…)
Out of the limelight, hidden in the central region of Italy, VideoAge‘s editor Dom Serafini has spent two years collecting stories about people from Abruzzo who took jobs overseas (the (…)
Underground stations in London warn riders to: “Mind the gap.” In the case of MIP London and London-based content distribution companies, the “gap” that they’re looking at is between what (…)