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Initial excitement for the market was tempered by the horrific Hamas terrorist attack against Israel. Those executives who had to cancel as a result of this war will be missed.

MIPCOM (…)

In its own disorganized way, the ninth annual International Audiovisual Market (MIA in Italian) ended up being functional, well attended, and fruitful for many of its 2,600 participants, including 300 (…)

These days, in the U.S., it’s nearly impossible to watch TV shows like Entertainment Tonight (on CBS) or Access Hollywood (on NBC) unless you’re next to a 12-year-old. Why? Because (…)

If readers were to go through VideoAge‘s online archives they would probably be fascinated to see how the international TV industry has changed throughout the years. More often than not, (…)

From her VAMedia office in Los Angeles, Kristen Bedno, head of Content Partnerships & Acquisitions, North America, described the company before introducing VAMedia CEO Mark Ashbridge (pictured above).

“VAMedia is an (…)

In early September, VideoAge sent out a query to talent agents and entertainment lawyers to explore whether the talent agency model has changed in light of the recent industry upheaval (…)

According to Comcast CEO Brian Roberts, the Santa Monica, California-based Hulu is worth $30 billion, thus valuing Comcast’s one-third stake at $10 billion.

When Disney became Hulu’s majority owner in 2019 (…)

How do we know if regulators are doing their jobs? Easy, we look at the number of charging and connecting cables for electronic appliances, specifically cellular phones and computers around (…)

It is called the House of Gucci Syndrome, and it seemingly affects many movies in Hollywood. Named for the 2021 MGM film House of Gucci, directed by Ridley Scott, the (…)

The benefits of AI are known — or mostly known — since it’s impossible to anticipate all of its future benefits. The abuses are also mostly known — and include (…)