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Cannes has helped Lille make Series Mania an even bigger success than previous years.

The closing of MIPTV, which took place in Cannes, in the south of France, in early April, (…)

In 2022 — the latest year for available figures for European theatrical fiction films — financing continues to be based primarily on five different financing sources: direct public funding, production (…)

It’s been pretty hard to overlook New York City filmmaker Lloyd Kaufman during his 50 years of disrupting media, and now he’s back for more with Lloyd Kaufman: Interviews, a (…)

When Niccoló Messina changed the corporate name of his film and documentary studio from V-Channels Media to Insurgence, he wanted to convey a message to the industry at large. Said (…)

By now, folks in the international TV sector are aware that the independent screenings that precede the studios’ L.A. Screenings will have a new venue that is cheaper and more (…)

Rappers, influencers, and other Social Media talents tend to gain millions of followers by shocking them. Still, an equal number of people don’t understand or appreciate their avant-garde, unconventional ways. (…)

By Dom Serafini

“Do we really need an app for everything?” asked Vox Media recently. “Please don’t make me download another app,” pleaded monthly magazine The Atlantic. Indeed, we live in (…)

Publishers in the U.S. seem to have discovered that advertisers don’t want to face editorials that are negative or controversial. “Forty percent of the Washington Post‘s material is deemed unsafe (…)

“We’re very happy with the MIP London event,” said an executive with the Institute of Engineering and Technology (IET), which, together with the Savoy Hotel, were the venues for this (…)

The London events started with a bang on Sunday — but they’re positively exploding today. On Sunday, the inaugural MIP London began with five conferences, including one on finances, and (…)