Last year’s broadcast pilot season had around 35 shows to present, the lowest number ever — until now, that is. This go-round looks to be considerably lower. The 2023-2024 season (…)
In 1867, the Austro-Hungarian empire was formed with a compromise that created a dual monarchy. The current standoff between C21’s Content Budapest (formerly Content East) and Brunico, the new owner (…)
Looking at next month’s L.A. Screenings, now in its 60th year, one cannot help but marvel at the resilience of a market that was never formally organized, but grew organically.
The (…)
The international TV industry is now witnessing the disappearance of the National Association of Television Program Executives (NATPE) as we know it. NATPE was born in New York City in (…)
Series Mania Forum, the portion of the Festival that focuses on developing drama programs for TV, takes place during the critical time period be-tween March 21 and 23, 2023 in (…)
There’s a new TV trade market in town: Content Americas. It’s the new kid on the block — the downtown Miami block, that is. Content Americas hopes to replace the (…)
Some of us in the media thought that Parrot Analytics was just a company from somewhere in the world that measures the popularity of television content around the globe.
“Not completely,” (…)
In preparation for the 23rd edition of the Asia TV Forum and Market (ATF), VideoAge connected with Singapore-based Justin Deimen, executive director of the Southeast Asian Audio-Visual Association (SAAVA), and (…)
Books are great — when there’s nothing worth watching on TV, that is. And sometimes those books even manage to creep up on TV screens anyway. VideoAge picked 12 books (…)
A number of the TV executives contacted for this article didn’t want to comment publicly, but the general impression seems to be that most industry green-lighters want to keep their (…)
