While much has been written elsewhere about MIPTV and the market’s move from Cannes to London, with integration into the London Screenings, nothing has been said about how the “TV (…)
The word from the NATPE Global camp is that they’re not really competing with Content Americas since the Miami market is meant to be a global one, while Content focuses (…)
According to the Latin American production managers of the world’s leading U.S. streamers, their commission levels will increase in 2025.
This year, Netflix returned to being the leading commissioner in the (…)
It is well understood that the TV game has changed and that rules are different these days. In the U.S., a linear brand used to mean over-the-air channels — the (…)
In 2014, VideoAge spoke with Sean Cohan in New York City for an article titled, “A Frank Talk with A&E Networks’ Sean Cohan.” At that time, Cohan was its executive (…)
Last autumn, the world hailed the agreement between the Writers’ Guild of America (WGA) and the Alliance of Motion Picture and Television Producers, Inc. (AMPTP) as a victory for writers (…)
The geography of international TV trade shows is changing once again, with more markets coming out every year, including a planned Istanbul TV Market in 2025 and a TIFF film (…)
Back in April, VideoAge (along with other industry publications) reported on the U.K.’s decision to make a future move to delivering TV content away from the historical tower/transmitter to a (…)
Editor and film critic Matt Singer chronicles how two men from the heartland of the United States popularized film criticism for the common man and turned the art of debate (…)
VideoAge had a talk with New York City-based international distributor Bruce Rabinowitz about the potential for African TV content, some of which he represents.
Media experts have been saying for years (…)
