Go back just five years and there were 56 pilots picked for the U.S. TV season, all hoping to become U.S. hits locally, before turning into hits globally, which many (…)
Giovanni A. Pedde, author of Mediaverse — The Rise of Decentralized Media, is an experienced media executive with a unique insider’s perspective. After working as an entertainment lawyer in New York (…)
There are some new developments in the works for NATPE Budapest, considered the premier TV trade show for the Central and Eastern European (CEE) market. This year, most of the screenings (…)
In 1939, Winston Churchill said, “Russia is a riddle, wrapped in a mystery, inside an enigma.” The same can be said in 2025 about the European Union’s Media Freedom Act (EMFA), which technically (…)
VideoAge’s symbol for this year’s edition of the L.A. Screenings is the phoenix, the mythological bird that rises from the ashes. The Screenings, now in its 62nd year, is scheduled (…)
Below is a transcript of a podcast with Bianca Serafini, former head of Content Licensing at Viral Nation, hosted by VideoAge‘s editorial staff, and available on all major digital platforms.
VideoAge: (…)
Why is it so difficult to produce a hit these days? It was always hard, of course, but now it seems all but impossible. Years ago, U.S. TV outlets used (…)
FAST channels seem to be taking over the television business — not just in the U.S., but across the world. But how long can this last? FAST feeds on content (…)
While much has been written elsewhere about MIPTV and the market’s move from Cannes to London, with integration into the London Screenings, nothing has been said about how the “TV (…)
The word from the NATPE Global camp is that they’re not really competing with Content Americas since the Miami market is meant to be a global one, while Content focuses (…)
