January 2025
Streaming is a content-delivery model that is now replicating legacy media’s losing content-delivery model in an effort to finally find success.
Development: Greenlight
Turns Into Redlight
Why is it so difficult to produce a hit these days? It was always hard, of course, but now it seems all but impossible. Years ago, U.S. TV outlets used (…)
The Future Reality of FAST
Channels Not Yet Explored
FAST channels seem to be taking over the television business — not just in the U.S., but across the world. But how long can this last? FAST feeds on content (…)
MIPTV Didn’t Move to London,
London Moved to MIP
While much has been written elsewhere about MIPTV and the market’s move from Cannes to London, with integration into the London Screenings, nothing has been said about how the “TV (…)
November-December 2024
International TV trade publications are closing down in the U.S., Europe, and Asia, while many Canadian trade mags have been reduced to online-only. But in Latin America, they’re thriving.
Miami TV Markets: The Race is
on. It Actually Started in 2023
The word from the NATPE Global camp is that they’re not really competing with Content Americas since the Miami market is meant to be a global one, while Content focuses (…)
LatAm TV Production Is
Mainly SVoD Business
According to the Latin American production managers of the world’s leading U.S. streamers, their commission levels will increase in 2025.
This year, Netflix returned to being the leading commissioner in the (…)
Survey Says, Who Said That
Linear Television is Dead?
It is well understood that the TV game has changed and that rules are different these days. In the U.S., a linear brand used to mean over-the-air channels — the (…)
