The Subscription Economy
In addition to CTOs (Chief Technology Officers), CCOs (Chief Content Officers), and CFOs (Chief Financial Officers), SVoD-based companies now have to swap out CEOs (Chief Executive Officers) with CSOs described (…)
In addition to CTOs (Chief Technology Officers), CCOs (Chief Content Officers), and CFOs (Chief Financial Officers), SVoD-based companies now have to swap out CEOs (Chief Executive Officers) with CSOs described (…)
Michael J. Fox will be honored with the inaugural Visionary Award at the sixth edition of the DaVinci International Film Festival, taking place in Los Angeles on February 23-25, 2024.
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Vivendi’s Canal Plus has offered to buy all the shares it does not own in South Africa’s pay-tv giant MultiChoice Group to strengthen its position in the highly competitive international (…)
Pluto TV and TV Azteca have signed a content agreement, with which the streaming service integrates five TV Azteca channels to its programming lineup for all Spanish-speaking countries in Latin (…)
Format ‘Got Talent Chile’ returns to Chilevisión with Julián Elfenbein as its host. Co-owned by Syco Entertainment and Fremantle, the format will once again be broadcast by the Paramount-owned channel.
Got (…)
Media entrepreneur Byron Allen is back at bidding for TV companies, and this time for Paramount Global. In the past he was looking to buy just Paramount’s BET for $3 (…)
India’s Viacom18 has been active at various TV trade shows in the past few years, but few participants actually knew what the company was all about or what its main (…)
Red Arrow Studios International has secured a deal with prodco Boxfish for a Spanish version of format Beat the Channel, to be called López y Leal contra el canal. The (…)
French animation production and distribution company Dandelooo has concluded a deal with Paris-based production company Tournez S’il Vous Plaît for the new educational series Birds & Bees, produced for France (…)
Attending two TV content markets in the same city one after the other was a unique experience that NATPE Global and Content Americas recently offered to the international TV sector. (…)